Animation Unleashed

100 Principles Every Animator, Comic Book Writer, Filmmaker, Video Artist, and Game Developer Should Know
By Ellen Besen


Book Review
By Ann Baldwin


Ellen Besen has been working in the field of animation for over 35 years and is a former (15 year) faculty member of Sheridan College’s School of Animation. Highlights of her career include directing award-winning films for the National Film Board of Canada. Her films have been shown in multiple international festivals and at such institutions as MOMA, and her film analysis workshops are featured regularly at the Ottawa International Animation Festival. In her book, Animation Unleashed: 100 Principles Every Animator, Comic Book Writer, Filmmaker, Video Artist, and Game Developer Should Know ~ Illustrated by Bryce Hallet (Micheal Wiese Productions 2008), she takes you on a fun adventure into the wild land of animation, where you’ll expand your vision on and skills in the craft of storytelling and filmmaking.

She will show you some of the hidden worlds, where you can uncover ideas for your scripts. You’ll learn one of the simplest methods for writing a great animated script, which also applies to writing live-action feature films. She shares many techniques for creating suspense, mystery, tension, and emotions in your audience.

You’ll explore every nook and cranny on your journey with Ellen as she covers such topics as caricature, movement, fantasy, reality, props, sound, backgrounds, special effects, and more. She uses hundreds of wonderful illustrations and films such as Toy Story, One Hundred and One Dalmatians, Monsters Inc, Fantasia, Bug’s Life, Lady and The Tramp, and Finding Nemo as examples.

Ellen states that “Action doesn’t communicate unless it can be seen.” She reveals a quick test-method to ensure that your character’s actions will been seen clearly by your audience. You’ll also discover one of the most powerful tools and key elements for communication that will give more meaning to your character’s actions.

Just like children, animated characters are great at not only expressing emotions on their face, but showing you how they feel as well; so much can be learned about creating memorable characters and stories through the art of animation. I highly recommend Animation Unleashed for all animators, filmmakers, and screenwriters, who want to gain the use of valuable techniques and learn a simple language for communicating to their audience with ease.

You can connect with Ellen Besen on Facebook at http://www.facebook.com/people/Ellen-Besen/1419880057 and purchase a copy of Animation Unleashed at Micheal Wiese Productions, Amazon, or Barnes & Noble.

From Word To Image

Storyboarding and the Filmmaking Process
By Marcie Begleiter

Book Review
By Ann Baldwin


Marcie Begleiter is a writer and educator who specializes in previsualization. She has worked extensively in the film, television, and interactive industries. She is owner of Filmboards, whose client list includes Paramount, Tristar, New Line, HBO, and ABC. In her book, From Word To Image: Storyboarding and the Filmmaking Process 2nd Ed. (Michael Wiese Productions 2010), she will expand your visual awareness and communication skills about all aspects of the visual storytelling process.

Before a film goes into production there are numerous decisions that must be made, often by hundreds of co-workers; storyboarding is an effective method of communicating between all the departments during pre-production, so when the cameras begin rolling, everyone is on the same page.

She takes you from the text script (screenplay) through all the stages and elements involved in creating a visual script (storyboard). She demonstrates not only how to create the basic stick figures, but detailed, 3-D illustrations as well, while covering topics such as composition, color, and perspective. There are plenty of helpful exercises where you’ll learn things such as how to create and use Moodboards to inspire your creativity.

She supplies you with a wealth of resources such as websites, software, films, DVD’s, and texts. She uses hundreds of illustrations and single frames from films such as The Cotton Club, Vertigo, The Last Emperor, The Godfather, and The Wizard of Oz as examples.

Storyboarding is a valuable tool for screenwriters that allows you to see your stories in a new light and helps you to write more visually. I highly recommend From Word To Image for all filmmakers involved in the collaborative development of a film during pre-production such as screenwriters, storyboard artists, production designers, directors, and cinematographers.

To learn more about Marcie Begleiter you can visit her website at http://www.marciebegleiter.com and purchase a copy of From Word To Image at Michael Wiese Productions, Amazon, and Barnes & Noble.

Cinematic Storytelling

The 100 Most Powerful Film Conventions Every Filmmaker Must Know
By Jennifer van Sijll

Book Review
By Ann Baldwin


Jennifer van Sijll has an MFA from USC’s Department of Cinema-Television, teaches screenwriting at San Francisco State and UC Berkeley, and worked as a script analyst for Universal Pictures. She consults on film and television projects in Los Angeles and San Francisco. In her book, Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know (Michael Wiese Productions 2005), she opens new doors and windows of opportunity for more creativity in our screenwriting, by revealing the abundant resources available to us through film techniques.

You can add subtle layers of meaning to your scripts through film techniques such as sound effects, props, scene transitions, lighting, camera motion, and editing; Jennifer shows you how to incorporate them into your screenwriting and uses examples and illustrations from over 100 films including Out Of Africa, The Conversation, Klute, ET, Citizen Kane, and The Sixth Sense.

She will teach you how to think and write more visually and gives you the ultimate supply of tools for conquering the “Show, Don’t Tell” rule of screenwriting. You’ll gain a better understanding of how to convey your message to your audience without relying on dialog.

Jennifer’s unique approach connects a bridge between screenwriting and film production, allowing for a more united and successful collaboration of film artists. Cinematic Storytelling is highly recommended for all writers who want to master the art of screenwriting and be more in-demand.

To learn more about Jennifer van Sijll you can visit her at http://www.cinematicstorytelling.com and purchase a copy of Cinematic Storytelling at Michael Wiese Productions, Amazon, The Writers Store, and Barnes & Noble.

The Script-Selling Game

A Hollywood Insider’s Look At Getting Your Script Sold and Produced
By Kathie Fong Yoneda

Book Review
By Ann Baldwin


Kathie Fong Yoneda has over thirty years of successful experience working in film and television. She has held executive positions at Disney, Touchstone, Disney TV Animation, Paramount Pictures Television and Island Pictures, specializing in development and story analysis of both live-action and animation projects. In her book, The Script-Selling Game: A Hollywood Insider’s Look At Getting Your Script Sold and Produced, 2nd edition (Michael Wiese Productions May 2011), you will find a treasure chest of knowledge to get and keep you in the big leagues of Hollywood.

Kathie takes all the guessing out of the game of script-selling by supplying you with the who, what, when, where, why, and how that you need to know in order to play and win. She will guide you through talking the talk, walking the walk, and staying alive.

She covers all the bases from pitching five different ways to avoiding The Big Nine reasons why scripts are rejected to meeting with the moguls. She takes you into the field of the internet, where new areas like virtual pitching and writing for the web are opening more doors of opportunity, along with the field of animation as well.

Kathie fans the flame that burns within every writer who has a true passion to tell their stories and feeds the fire with an abundance of solid fuel to keep you blazing hot on the trail to script-selling success. I highly recommend The Script-Selling Game for all writers who want to take their screenwriting careers to the ultimate level of accomplishment.

To learn more about Kathie Fong Yoneda you can visit her at http://www.kathiefongyoneda.com/ and purchase a copy of The Script-Selling Game at Michael Wiese Productions, Amazon, The Writers Store, orBarnes & Noble.

And THE BEST SCREENPLAY goes to...

Learning From the Winners: Sideways * Shakespeare In Love * Crash*
by Dr. Linda Seger

Book Review
By Ann Baldwin


Dr. Linda Seger is a pioneer in her field, one of Hollywood’s top script consultants, and highly respected internationally for her expertise in script analysis. She’s written twelve books, nine on screenwriting. She has given seminars around the world and to many companies and professional organizations including ABC, CBS, NBC, Disney, Writers Guild of America, Directors Guild of America, American Film Institute, Sundance Institute and the Motion Picture and Television Academies. She’s been the recipient of numerous awards and her client list is long and very distinguished from Ray Bradbury to TriStar Pictures including many Academy and Emmy Award winners. In her book, And THE BEST SCREENPLAY goes to… Learning From the Winners: Sideways * Shakespeare In Love * Crash (Michael Wiese Productions 2008), she takes you on an in-depth study, sharing valuable insights, into the creative screenwriting process by examining the details of three Academy Award-winning films.

She explores a variety of elements and some rare techniques used in the creation of these honored screenplays such as: dialogue as a metaphor to reveal character, the Interweaving Structure, theme as the driving force, and connecting within yourself, with the audience, and through props.

While Linda analyzes these Oscar prized screenplays, she also refers to a wealth of other movies as examples. Following each analysis are revealing interviews with the writers and directors of the films; they explain the writing, directing, marketing, selling, and production stages they went through from the initial concept of their stories to casting to receiving the Academy Award.

Great screenwriting is achieved in large part through a keen observation and understanding of ourselves, others, life, and the successful films. I highly recommend And THE BEST SCREENPLAY goes to… for screenwriters who have a true passion for the art of film and want to be their best.

To learn more about Dr. Linda Seger you can visit her at http://www.lindaseger.com and purchase a copy of And THE BEST SCREENPLAY goes to…at Michael Wiese Productions, Amazon, The Writers Store, and Barnes & Noble.

The Coffee Break Screenwriter

Writing Your Script Ten Minutes At A Time
By Pilar Alessandra

Book Review
By Ann Baldwin


Pilar Alessandra is the director of the Los Angeles-based writing program On The Page and a highly sought-after speaker and script consultant. She’s worked as Senior Story Analyst for DreamWorks and Radar Pictures, trained writers at ABC/Disney and MTV/Nickelodeon and presented classes at The Great American Pitchfest. Her students and clients have sold to Warner Brothers, Sony and more. In her newest book, The Coffee Break Screenwriter: Writing Your Script Ten Minutes At A Time (Michael Wiese Productions 2010), she takes you on an interactive journey into the multi-dimensional, image-moving world of screenwriting, where you gain a firm grasp of time, laser-focused thought, an abundance of accomplishments, and self-confidence, by practicing Pilar’s approach to completing your scripts.

Whether we’re facing a hectic schedule, 120 blank pages, or a deadline for a final draft, the pressure on our creative right-brain can be overwhelming and cause procrastination, brain freeze (aka writer’s block), or mind racing; Pilar reveals her secret strategies for overcoming these obstacles.

As writers, we encounter a tornado of words, ideas, images, and scenes whirling through our mind, while creating a story; it can sound like an auctioneer in a bidding war or look like a bunch of wild scatterbrains on a high-speed chase in a maze or feel like the Tasmanian Devil in a rage of emotions. Pilar helps you to pause, gather, and organize your thoughts by getting them on the page.

Screenwriters are time travelers, jetting back and forth between this world and the ones we create in our stories; we often experience jet-lag and get lost in time. It’s easy to get distracted by all the visions, sounds, and activity around us, where we lose track of time and direction toward our goal; Pilar’s method is like a compass and watch that keeps you moving forward and on time with your writing.

She guides you through the screenwriting process in ten-minute sessions using her simple techniques, which focus on one element at a time from structure, characters, dialog, and rewriting to pitching, marketing, and networking. She uses over 140 films and TV shows as examples from Big, The Sixth Sense, Slumdog Millionaire, and The Departed to Monk, Breaking Bad, and CSI.

You’ll experience the creative aspect of writing in the moment (the present), as she shows you how to write here and now about everything there and then; it’s a balance of being in two different places at the same time. I highly recommend The Coffee Break Screenwriter for all writers who want to master their time in writing and writing in time.

To learn more about Pilar Alessandra you can visit her at www.onthepage.tv/ and purchase a copy of The Coffee Break Screenwriter at Michael Wiese Productions, Amazon, The Writers Store, or Barnes & Noble.